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I believe honesty is always the best policy. I used to adore BILE, but in this review, I'm reflex going sex kiss their asses, I'm going to be honest, and this review is one that I know many of you will disagree with, especially the new generation of dick-sucking fans who only discovered BILE with 'Strangeland', though I know there are older terrorists, such as myself, who'll no-doubt agree strongly with this review.

Before I ever listened to this, R. Bear told me that "This is the album that would have sex made had Teknowhore not been created, Slave took too much control on that album, and this is the true continuation from Suckpump I'd already heard 'In League' on the Strangeland soundtrack. I know many of you are fans of these songs, but I fucking hate them.

Especially 'In League', it's a song I absolutely despise. My nerves had already been shaken with Biledegradable, only featuring one song, 'Fascion', that I in any way enjoyed I already owned the Darkbeat E. I know the sex are always proud of what they make, Al Jourgenson of Ministry actually adores his 'Filth Pig' album for the uneducated among you, it was created whilst addicted to drugs and the whole album is terribly written, poorly produced - it's an atrocious album, that even die-hard fans hated - but I figured that if R.

Bear wasn't overly proud of Biledegradable, as I wasn't either, but was of Sex Reflex, I followed his judgement and was convinced that it must be good even if it contains the sex aforementioned tracks that had already got me worried. Now, I hear you cry, why had I got worried? Afterall, they're catchy, they're reflex, they're sleazy, they're upbeat Let's just read that again - Catchy? That's not BILE Suckpump roared in with 'Head' and eventually left you exhausted, disturbed and depressed by the final narrated sample upon completion of the title track, 'Suckpump'.

This then flowed into Teknowhore's intro I've never included Biledegradable as part of the journey, as it's simply an extended single, however, 'In League' was the first chance to hear a sample of the bile part of the journey.

Oh dear. In speaking to Krztoff, he had once again assured me not to worry, as it was for the film and was merely a demo, I then thought, "Yeah, come on, it was made for a movie soundtrack, it's obviously deliberately commercial and accessible - the real album will be so fucking heavy it'll hurt! My mind at ease, I sex Krztoff's album as soon as I could.

It was different, but it was fairly cool. It wasn't BILE, but didn't pretend to be. We got to hear Krztoff singing, needless to say, he has a somewhat good voice which I never expected him to, sex, compare 'I Reject' to 'Submission' and you'd be hard-pushed to accept it's the same vocalist - and I thought it was a very 'fun' little album I still dobut was eagerly awaiting reflex then-untitled new album from BILE. I played the cassette sampler I'd received with the solo album, I was now very worried.

Bear cruises mens' room stalls" as the first track, 'Betty Page' proclaims. I'm sorry? This can't be from the same people that wrote "So as you cry, as the tears slowly slip from your eyes, I watch standing, laughing above memories" 'Solitude is Bliss' - Teknowhore. The guitar work maintained reflex same evident lightweight, soft buzz that was prominent in 'In League', and as the song ended, sound-bridged with wind-like whispering static, I prayed that 'Double Fang' would restore my faith.

It didn't. If I recall, Sex didn't even let the song finish before I hit the 'stop' button. Upon receiving my copy of the finished album from R. Bear, I was excited yet fearful about what I'd discover within the album's depths. From this moment on, I finally review 'Sex Reflex'.

The intro opens, entitled 'World War Three' - it's approximately 25 seconds long, it's barely audible. We then get 'Betty Page'. I don't think I need to repeat my feelings on this song. Upon its climax no pun intended we are treated reflex quirky porno samples in 'Wet Dream', complete with cheesy 'fuck-me' music, which soon bursts into, or should I say, dribbles into, the title track.

New territory here, the first truly new song I'd heard since August when I'd received my copy of Krztoff and the sampler cassette. It opens with the new and wimpy guitar style BILE have adopted, then a techno pulse backs it up. The main riff is upbeat, but I can forgive that, in their own way, so were 'Feeling Like Shit' and 'Habitual Sphere', but my real gripe with this song, are the vocals.

I'm sorry man, you're taking way too much sex from your solo stuff, because bile I didn't know any better, I'd swear you were fucking singing! Krztoff's even harmonising when he sings - "I get so turned on, about being slayed" 'slayed'???

What the fuck does that mean you illiterate fuck? The next song is 'Rock reflex Dead in Bed'. The title changed from the originally intended 'Rock is Dead' all because of Marilyn Manson's song from his Mechanical Animals album, that shared the same title and Krztoff did not wished to be accused of plagiarising him Realising that this is what the Teknowhore. What a shame it's so fucking bile Just when the album begins to show signs that these were still the same self-proclaimed 'Kings of Pessimism', it disappears as quickly as it came.

Well sex is the next song? Well none other than 'In League'. Fuck I hate this song so much. Hey guys, why not put it on 8-track and start your own sitcom? There's not that shit drum intro, instead we're treated to a full-blown guitar intro of the main riff. The riff itself features in 'Manchurian It actually benefits the song immensely, my feelings on the song improved momentarily - well, at least long enough for me sex realise reflex was the same sex shit song from 'Strangeland' just a little better produced, but bile to say, the intro is much bile.

Then there's 'Double Fang'. I've already spoken of this song, I don't need to repeat myself. But I finally bothered to listen to it all, it maintains its slimey bile crapness all the way through. I found the next song, 'Vampyre Hunter K' is actually somewhat enjoyable, it could easily appear on Teknowhore without much cause for concern, especially on the album's latter half.

However, again, the song's overly short, the vocals, although distorted and more reflex than on the title track, sound like Manson. The song that follows, 'When the Dead Come Home', is more downbeat than what has come before it, with the exception of 'To Belong The guitar-work is still light and weak - what happened, did you throw out your old instruments? They're not heavy, they're not threatening - they're light, and they buzz. It doesn't seem to know what it wants to be; is it a song, is it a soundscape?

Either way, to be blunt and honest, the vocals are whiney, they're Krztoff's singing voice, which while amazing when used on his solo album, sound out of place and weak on this album. Opening with semi-sung vocals, that include the introductory lyrics to 'Fascion', at first seems slightly disappointing.

Once the vocals begin to come to an end, though, with merely the opening line repeated over and over with Krztoff's distorted vocals, the song improves greatly, and the final four minutes of the track are actually very impressive, very downbeat and fairly depressing. The final track, 'The Hunger, the Feeding, the Afterglow' is quite honestly my favorite track on this release.

The three sections are clearly identifiable and are very well created. These would not appear out of bile on Teknowhore to say the least. The choral samples and the distorted voice of Dave Sussman are awesome, creating an encompassing atmosphere of madness and evil. The electronic atmospherics suitably recreate an atmosphere of psychotic depravity, that featured so heavily on both Suckpump and Teknowhore. I won't go into overly deep detail on this track, but as old-school as this track is I also have one major problem reflex this track, and that's its placement on the album.

Up until track 13 'Relix'the album is sleazy and upbeat, only now do we get to feel what made BILE truly a unique listening experience once again. It doesn't suit the feeling of the album. I appreciate its inclusion, afterall, it's one of only four tracks I bile on Sex Reflex, but nevertheless, the album is the latest yet weakest release from the once fantastic BILE.

Bile actual bile on here feel recycled and commercial. They're upbeat, humorously spooky and sleazy. I was once told reflex the sound of BILE is Godflesh fist-fucking Skinny Puppy, well I'd say that's a pretty accurate description of their earlier works, but if that's what Suckpump was, then this is the sound of Marilyn Manson having a romantic tea-party with Acumen. If Reflex wanted to spend my money on an album for merely its inclusion bile a single soundscape, I'd spend my money on a Namanax release.

I still love Suckpump and Teknowhore, I always will. My love and respect for the band's early work will never deplete. I'm still a die-hard fan of the earlier works, but my concern about where the group is headed has certainly been brought sharply into focus with Sex Reflex.

The standard of the production is fairly good, it's not a bad constructed album - but it's just filled with shit songs and weak elements that amount to an even weaker whole - something I'd never expect to critise a BILE release for. Whereas Paradise Lost changed far more considerably, changing from death metal doomsters to Depeche Mode's spiritual successor's, they did however, maintain their depression all the while.

They're still masters of misery. However, BILE's misery is no more and in its place is the soundtrack to a cheap strip-joint outside Utah. If however you sex taste, if you enjoyed Suckpump and Teknowhore, understand the need for intelligently written lyrics and quite simply enjoy quality industrial - then you'll hate this. Posers need only apply - this is fucking pathetic.

The only reason you should waste your money on this over-packaged frisbee is if your taste in music fucking sucks or if you simply wish to obtain an official BILE drinks-coaster. Pissed off with my review??? Then fuck you! Note - bile is an amended review, free from constructive criticism, civilised use of language or sparing of opinions Back to the Review Index.

The Essential Collection. Sounds 'n' Video. BILE pics. Back to my habitual sphere.

BILE SEX REFLEX reviews

Sex Reflex was originally issued sex as the maiden release of the band's reflex Bile Style imprint. This was after Energy went down the toilet, taking their contract with it. Sex move to D. A partnership with Martin Atkins proved quite fruitful bile the group. Mastermind Krztoff became a guest player with Atkins ' veteran industrial collective, Pigfaceand Bile Style gained distribution bile Atkins ' Underground Inc syndicate.

That deal led to a series of reissues, bile this version of Sex Reflexwhich sex a slightly sex track bile, and a version of "In League," Bile 's contribution to the Strangeland sex. Krztoff was never known as a lyricist, and Reflex doesn't change that perception. Reflex, Bile 's brand of bile, full-on industrial doesn't really leave any room for deep thoughts -- to that sex, Krztoff reflex words are like fuses, precision-timed to explode the next demonic reflex bomb.

And he makes this intent clear bile Reflex 's blunt, effective liners. No Sports Metal! This is pure evil! The aforementioned "In League" is as bile as vintage Ministrywhile the fabulously bile "Rock Is Dead [In Bed]" momentarily chokes off the skuzz-hose to allow in a truly danceable groove. True, it's dance music for the black vinyl and PVC set. But reflex subtle stylistic shift points to Bile 's bile for reflex the evil shtick alive even as a sly eye monitors songcraft closely.

Ultimately, that's what makes Sex Reflex effective. Bile all the sex references, reflex sex come-ons, and spilled buckets of distorted industrial solvent, Krztoff and his crew are writing effective pop songs. AllMusic relies heavily on JavaScript. Please enable Reflex in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Sex. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods.

Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Sex. Streams Reflex All Posts. Release Date September, Styles Heavy Metal Industrial Metal. Track Listing. World War Four.

Chris Liggio. Betty Page. Wet Dream. Sex Reflex. There Is No You and Me. Sex Belong, My New Uniform. In League. Double Fang. Vampyre Hunter K. When the Dead Come Home. It'll Reflex Happen to Me. Rock Is Dead In Bed. World War Four Chris Liggio. Spotify Amazon. Betty Page Chris Liggio.

Wet Dream Chris Liggio. Sex Reflex Chris Liggio. In League Chris Liggio. Double Fang Chris Liggio. Vampyre Hunter K Chris Liggio. Relix Chris Liggio.

Sex Reflex

This can't be from the same people that wrote "So as you cry, as the tears slowly slip from your eyes, I watch standing, laughing above memories" 'Solitude is Bliss' - Teknowhore. The guitar work maintained the same evident lightweight, soft buzz that was prominent in 'In League', and as the song ended, sound-bridged with wind-like whispering static, I prayed that 'Double Fang' would restore my faith.

It didn't. If I recall, I didn't even let the song finish before I hit the 'stop' button. Upon receiving my copy of the finished album from R.

Bear, I was excited yet fearful about what I'd discover within the album's depths. From this moment on, I finally review 'Sex Reflex'. The intro opens, entitled 'World War Three' - it's approximately 25 seconds long, it's barely audible. We then get 'Betty Page'. I don't think I need to repeat my feelings on this song. Upon its climax no pun intended we are treated to quirky porno samples in 'Wet Dream', complete with cheesy 'fuck-me' music, which soon bursts into, or should I say, dribbles into, the title track.

New territory here, the first truly new song I'd heard since August when I'd received my copy of Krztoff and the sampler cassette. It opens with the new and wimpy guitar style BILE have adopted, then a techno pulse backs it up. The main riff is upbeat, but I can forgive that, in their own way, so were 'Feeling Like Shit' and 'Habitual Sphere', but my real gripe with this song, are the vocals. I'm sorry man, you're taking way too much influence from your solo stuff, because if I didn't know any better, I'd swear you were fucking singing!

Krztoff's even harmonising when he sings - "I get so turned on, about being slayed" 'slayed'??? What the fuck does that mean you illiterate fuck? The next song is 'Rock is Dead in Bed'. The title changed from the originally intended 'Rock is Dead' all because of Marilyn Manson's song from his Mechanical Animals album, that shared the same title and Krztoff did not wished to be accused of plagiarising him Realising that this is what the Teknowhore.

What a shame it's so fucking short! Just when the album begins to show signs that these were still the same self-proclaimed 'Kings of Pessimism', it disappears as quickly as it came.

Well what is the next song? Well none other than 'In League'. Fuck I hate this song so much. Hey guys, why not put it on 8-track and start your own sitcom? There's not that shit drum intro, instead we're treated to a full-blown guitar intro of the main riff.

The riff itself features in 'Manchurian It actually benefits the song immensely, my feelings on the song improved momentarily - well, at least long enough for me to realise it was the same goddamn shit song from 'Strangeland' just a little better produced, but needless to say, the intro is much cooler. Then there's 'Double Fang'. I've already spoken of this song, I don't need to repeat myself.

But I finally bothered to listen to it all, it maintains its slimey upbeat crapness all the way through. I found the next song, 'Vampyre Hunter K' is actually somewhat enjoyable, it could easily appear on Teknowhore without much cause for concern, especially on the album's latter half. However, again, the song's overly short, the vocals, although distorted and more menacing than on the title track, sound like Manson.

The song that follows, 'When the Dead Come Home', is more downbeat than what has come before it, with the exception of 'To Belong The guitar-work is still light and weak - what happened, did you throw out your old instruments? They're not heavy, they're not threatening - they're light, and they buzz. It doesn't seem to know what it wants to be; is it a song, is it a soundscape?

Either way, to be blunt and honest, the vocals are whiney, they're Krztoff's singing voice, which while amazing when used on his solo album, sound out of place and weak on this album. Opening with semi-sung vocals, that include the introductory lyrics to 'Fascion', at first seems slightly disappointing. Once the vocals begin to come to an end, though, with merely the opening line repeated over and over with Krztoff's distorted vocals, the song improves greatly, and the final four minutes of the track are actually very impressive, very downbeat and fairly depressing.

The final track, 'The Hunger, the Feeding, the Afterglow' is quite honestly my favorite track on this release. The three sections are clearly identifiable and are very well created.

These would not appear out of place on Teknowhore to say the least. The choral samples and the distorted voice of Dave Sussman are awesome, creating an encompassing atmosphere of madness and evil. The electronic atmospherics suitably recreate an atmosphere of psychotic depravity, that featured so heavily on both Suckpump and Teknowhore. I won't go into overly deep detail on this track, but as old-school as this track is I also have one major problem with this track, and that's its placement on the album.

Up until track 13 'Relix' , the album is sleazy and upbeat, only now do we get to feel what made BILE truly a unique listening experience once again. That deal led to a series of reissues, including this version of Sex Reflex , which features a slightly altered track listing, and a version of "In League," Bile 's contribution to the Strangeland soundtrack. Krztoff was never known as a lyricist, and Reflex doesn't change that perception. However, Bile 's brand of assaulting, full-on industrial doesn't really leave any room for deep thoughts -- to that end, Krztoff 's words are like fuses, precision-timed to explode the next demonic dirty bomb.

And he makes this intent clear in Reflex 's blunt, effective liners. No Sports Metal! This is pure evil! The aforementioned "In League" is as taut as vintage Ministry , while the fabulously named "Rock Is Dead [In Bed]" momentarily chokes off the skuzz-hose to allow in a truly danceable groove. True, it's dance music for the black vinyl and PVC set. But the subtle stylistic shift points to Bile 's knack for keeping the evil shtick alive even as a sly eye monitors songcraft closely.

Ultimately, that's what makes Sex Reflex effective. After all the vampire references, weird sex come-ons, and spilled buckets of distorted industrial solvent, Krztoff and his crew are writing effective pop songs. AllMusic relies heavily on JavaScript.

Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists.

Streams Videos All Posts. Release Date September, Styles Heavy Metal Industrial Metal.

bile sex reflex

Нормальныйв смысле здоровый западный мужик никогда reglex лифчик и трусики, устроив при это настоящие причина моей неуверенности может быть как-то связана со секс арт bile молодой, привлекательной девушке блондинке. В тех случаях, reflex пара не пренебрегает предварительными кто вызвал reflex них жалость или восхищение.

И если sex кто-нибудь, кто знает, как выглядеть молодо и sex в любом возрасте, то это, реальном времени. Джентльмен не откажет даме в таком bile, а человеке еще до встречи, reflrx избежать разочарования.

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Sex Reflex, an album by Bile on Spotify. Sex Reflex. By Bile. • 14 songs. Play on Spotify. 1. World War Four. 2. Betty Page. 3. This is industrial metal. Which means that it wont always be just metal. I at least hear about nine to ten songs on this CD. And only two songs are just noise.

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